Inside
The temple is an interesting artistic legacy in itself. The building forms a nearly perfect square, to which a semi-circular deambulatory has been added on the eastern side, together with two narrow rectangles on the northern and southern sides, to house the side doors. The stained glass windows are an outstanding feature. They were installed between 1916 and 1928, as a result of the relationship between Francisco Gourié and Maumejean et Fréres. The Church of St. John the Baptist was the first in Gran Canaria with stained glass windows manufactured by this French firm.
The works of art housed by the Church include the Christ on the Cross which presides over the main altar, which dates from the end of the 16th century. As we enter the Church, and to our right, we find the Carmen Chapel, part of the Clock Tower. Light enters the stained glass windows which represent, among others, the Virgin of Mt. Carmel and Father Antonio María Claret, in commemoration of a visit he made to Arucas in 1848. The remains of parish priest Francisco Cárdenas are buried here, as a tribute to his enthusiastic work when the temple was built.
The neo-Gothic style altarpiece enthrones an image of the Virgin of Mt. Carmel. On each side there is a small pedestal with St. Elijah with the sword (to the left) and Saint Theresa (to the right). The Chapel of St. John the Baptist, rectangular in shape, houses an image of the saint on a small altar. The image was sculpted in Malaga, and exhibited for public worship on Sunday, June 23, 1848. When we cross the side door, we find the Chapel of the Sacred Heart of Jesus, containing images of St. Lucia and St. Sebastian. Our attention is particularly attracted to St. Lucia, because of the exquisite gold leaf floral motifs on her robes.
The centre of the deambulatory is given over to a chapel dedicated to the Passion of Christ, forming a semi-apse with a stained glass window. Facing the neo-Gothic altarpiece we find a fine image of Christ Recumbent, by the local sculptor Manuel Ramos González (1899-1971). Made in wood, around 1940, it is renowned for its elegance and the expressive power of the figure’s head. In the Chapel of the Virgin of the Rosary, in the north-eastern tower, we find an image of the Virgin of the same name, sculpted by Canary Island artist Juan Manuel de Silva from the wood of a cypress tree growing in the garden of the Dominican Convent of St. Peter, Martyr, in Las Palmas de Gran Canaria. The Chapel of St. Francis of Assisi contains the only Baroque altarpiece in the Church, probably from the 18th century [Cristo Yacente de Manolo Ramos] .
We finally come to the Baptistery Chapel, which houses important artistic items behind its bars. The centre houses a font which dates from 1862. The stone used was taken from the Lomo de Tomás de León quarries. Three magnificent paintings hang on its walls, all by Canary Island artist Cristóbal Hernández de Quintana (1651-1725), a panel representing the Virgin and Child next to a painting of St. Joseph and Child and a painting of the Holy Family.
To summarise, the Church of St. John the Baptist is well worth visiting, not only because of the grandeur of its stone structure which has often led to it being referred to as a “cathedral”, but also because of the artistic treasures it houses.